For years, conservatives have claimed that Twitter censors their views; that Twitter has a “left-wing bias” and purposely blocks opinions on the right.
They are only partially correct, however.
“A major publication is happy to publish any old nonsense so long as it’s sufficiently woke. Social justice ideology has infected our mainstream media,” Andrew Doyle explains in a new video lecture recorded at the National Liberal Club in London on 13th October 2019.
The 25-minute video is a brilliant explainer on how satire and hoaxing work in 2019. With major platforms and publications getting woker by the minute, it’s imperative that people who haven’t succumbed to the woke moral panic to call out the many hypocrisies and incoherencies of social justice. For the few who don’t know, Andrew Doyle is the genius behind the internet’s greatest troll, Titania McGrath.
In 2019, feelings outweigh facts at every turn. And when op-eds read like fabricated drivel, it’s no wonder that the public has a hard time discerning truth from fiction. It takes comedians and satirists to point out just how insane this whole thing is. Doyle points out that “the woke are the establishment” and he couldn’t be more right. Those who are in the powerful cultural positions, in academia, media, arts, entertainment, and most importantly, advertising, are the ones with the batons and horses to push these ideas onto the public.
This is the kind of influence that matters, not politicians and legislators, but those who control the media. And they are being fooled by their own unwillingness to address their woke bias. It is this bias that veers us into the realm of complete absurdity, where people hate themselves for their skin colour, language is colonialism, words are violence, and disagreement is fascism.
“The mainstreaming of social justice is also evident in the fact that even respected, national newspapers don’t seem to understand the basic definitions of phrases like fascist, alt-right, and even far-right,” Doyle remarks. “They no longer know what these words mean, and they are just bandying them about promiscuously, which is really damaging. Now if you claim the right to define the word Nazi as just anyone who disagrees with you politically, then, of course, you can also claim that there is an epidemic of Nazism. But in doing so you are also inadvertently, acting in the interests of the worst kinds of people.”
Doyle notes that the reframing of the conversation to mark those who disagree with the mainstream social justice movement as alt-right Nazi fascists, cedes the argument in favour of free speech to those very people you are trying to silence.
The last five minutes of the speech is where Doyle truly shines. He points to three specific pieces published by major platforms. “In August of last year, The New York Times ran an anonymous letter. It was called ‘How Can I Cure My White Guilt?’ It was just signed ‘Whitey,’ and it was a person who described themselves as being riddled with shame for being white. Now the whole thing was obviously ridiculous, and obviously a hoax. So, Titania claimed that she had written it. And she provided screenshots, of the letter, on her hard drive, with the date, just to prove that she was the author.”
Doyle claims that the authorship doesn’t really matter. Maybe he wrote it, invoking the spirit of Titania, maybe he didn’t. The point is that “a major publication is happy to publish any old nonsense so long as it is sufficiently woke. The social justice ideology has infected our mainstream media. And irreparably degraded its standards.”
Finally, Doyle mentions the crown jewel of hoax columns—a breathless op-ed published by The Independent. “In February of this year, Liam Evans wrote a piece for The Independent, and he cited a number of extremely talented comedians, people like Dave Chappelle, Ricky Gervais, Finn Taylor, and he said that their jokes about sensitive topics amounted to hate speech. He said that these kind of jokes ‘should be subject to investigation. It simply isn’t good enough for comedians to cry free speech after every hateful joke, as if the laws that govern the rest of us don’t apply to them.’”
Who is Liam Evans? Well, he’s clearly an authoritarian, censorious monster. But he’s also clearly not real. Doyle asks why The Independent would run such clearly fabricated nonsense and points to the fact that a number of prominent comedians complained to the publication. Doyle asks, “What is happening to our media? Why is a respected national newspaper publishing drivel by a writer that no one has ever heard of just because it’s pushing a woke agenda? What does that tell us? And the other question they should have been asking is why is the left publishing these kinds of censorial articles that used to grace the pages of the right-wing tabloids? And if it takes a hoaxer to provoke a little self-reflection, then surely that’s a good thing.”
“Again, I do not want to speculate as to the authorship of that article,” Doyle says. “But I will point out one thing which I do find just a little bit curious… You might be interested to note that if you take every fourth letter of every sentence, it actually spells out the phrase, ‘Titania McGrath wrote this, you gullible hacks.’”
When asked if he was indeed behind the hoax article, Andrew Doyle remained playfully cagey, telling The Post Millennial: “So many of the opinion columns in the woke press read like satire already, so in a sense I shouldn’t be surprised that such an obvious hoax would be published.”
The truth is if it weren’t for geniuses like Doyle, Gervais, Chappelle, CK, and the handful of other comedians brave enough to stand up to the woke mob, the culture wars might be a lost cause. As Doyle has pointed out numerous times, hoaxing and satirizing the woke establishment is actually punching up. Every major platform and publication is woke in 2019. Those who issue social justice diktats have all of the power and influence. Doyle’s work is vital.
News hoaxes are as old as news itself, but what news outlets can get pranked about is very revealing. In this case, media wanted to believe that a young woman hated her whiteness, that Sam Harris is a gateway drug to the alt-right, free speech doesn’t matter, and off-colour jokes must be investigated by the authorities. The New York Times, The Guardian, and The Independent wanted to believe these things. In fact, they were desperate to believe these things. That’s why they published these hoax stories. And that’s why we need to keep making fun of them.
UPDATE: A Twitter spokesperson responding to The Post Millennial advised that Cernovich, Ngo, and Hegseth had been suspended for posting the shooter’s manifesto. However, neither Cernovich nor Hegseth’s tweets included the manifesto. Twitter declined to answer any further questions on the justification for their suspensions.
Following the Pensacola Navy Base shooting having been deemed a terror attack, multiple journalists and media personalities have been suspended from Twitter for reporting details on shooter Mohammed Alshamrami.
Filmmaker Mike Cernovich, The Post Millennial editor-at-large Andy Ngo, and Fox host Pete Hegseth are among those who have been suspended from Twitter for utilizing Alshamrami’s manifesto or social media excerpts to speculate on his motivation for carrying out the deadly attack.
Both Cernovich and Hegseth were suspended for posting excerpts from Alshamrami’s social media, which included disturbing posts indicating the shooting was motivated by anti-American and anti-Israel sentiments.
Andy Ngo was suspended pending he delete a tweet which included a copy of Alshamrami’s manifesto, the copy of which was made public by SITE—a non-governmental organization that monitors white supremacist and jihadist terror threats.
While Cernovich’s account was restored following the removal of the offending tweet, Pete Hegseth and Andy Ngo’s accounts remain suspended, appeals unresponded to by Twitter as of yet.
According to the Twitter Terms of Service, promoting or providing media intended to further a terrorist organization’s goals is a violation of the platform’s policies, leading to an immediate, permanent suspension. However, the terms of service also state that discussion of terrorism for “clearly educational or documentary purposes” does not constitute a violation.
The Post Millennial reached out to Twitter for comment but did not hear back by the time of publication.
UPDATE: On December 6th, a Twitter user reported to The Post Millennial that two of Michaels’ tweets had violated the Twitter Terms of Service. Michaels then locked his account.
The Post Millennial reached out to Twitter to verify if disciplinary action had been taken against Michaels since his harassment of Andy Ngo was reported on, but did not hear back by the time of publication.
The Post Millennial has learned that a Twitter account that has been engaged in targeted harassment of TPM Editor-at-large Andy Ngo appears to belong to none other than a Twitter employee.
Max Michaels, who goes under the Twitter handle Manchild, is an Operations Infrastructure Analytics Engineer at the Twitter Command Center. According to his Linkedin, he has worked at Twitter for over 7 years.
Michaels’ abusive behaviour towards Ngo began in June of 2019 after Ngo was bloodied while reporting from an Antifa riot in Portland. Beneath a tweet calling for information which might lead to the arrest of those involved, Michaels wrote: “It’s almost like there are repercussions for being a piece of shit.”
Under another tweet by Ngo, Michaels replies “you should just get fat again and hangout on reddit acting sad. I liked fat, sad Andy better.”
Michaels also replied to journalist Peter Hasson, who was reporting on Ngo’s brain bleed as a result of his beating at the riot, calling the hemorrhage a “lifelong, pre-existing condition from garbage Andy.”
Michaels was featured in a 2016 Vice article describing the important functions of the Command Center. In the piece, Michaels is quoted as saying he and his team are responsible for “keeping the lights on at Twitter.”
A recent job posting for the Twitter Command Center suggests staff have a great deal of insight and control over the intricate details of Twitter’s technical infrastructure, calling into question what impact potential biases in the staff might have over users’ personal information and security on the platform.
Ngo was recently suspended from Twitter for tweeting a truthful claim that “The U.S. is one of the safest countries for trans people. The murder rate of trans victims is actually lower than that for cis population. Also, who is behind the murders? Mostly black men.” Ngo was forced to delete the verifiably truthful claim in order to regain access to his account.
The Post Millennial reached out to Michaels for comment but has not heard back by the time of publication. He did, however, confirm on Twitter that he still works in Operations for Twitter.
Targeted harassment is explicitly against Twitter’s Terms of Service. A Twitter spokesperson said, “Abuse and harassment have no place on Twitter. We take enforcement action against any content that is violative of our rules, regardless of the account involved.”
Prominent YouTuber Dave Rubin has introduced a new platform called Locals.com which intends to give “power” back to the creators, rather than to organizations like YouTube and Patreon who have often been criticized for being censorious and manipulative.
Speaking to The Post Millennial, Rubin described Locals.com as a “subscription-based community network for creators … I fully believe that the future of the internet is bottom-up instead of top-down.”
Rubin went on to say that content creators are “frustrated by these giant tech platforms and the way they manipulate the algorithm, the way they shadowban, the way they de-platform, and what I realized was that for me as an independent content creator, I needed to make sure that all my digital assets, my videos, my audios, the way I can communicate with fans, is protected”
Rubin wanted to build Locals.com so that content creators had the power to “put up ad-free videos, ad-free audio podcasts, so you can communicate directly with your fans. Ultimately, we will build web-communities, and also apps for independent creators.”
There will also be a social element to Locals.com. Creators, for instance, will now be able to communicate with other like-minded creators on the backend of the site—creating their own networks. “The future is about creators, not these big tech platforms,” Rubin stated.
Locals.com will allow creators to set their own rules within their community—meaning that there won’t be a universal term of service. “You will set your rules about what type of people you want, and what speech is allowed. We will empower creators to actually own their content.”
Rubin also has a solution to the bots and trolls that content creators often have to deal with on the larger tech platforms, as these people won’t pay to access the content.
On top of this, creators won’t be beholden to tech companies or the government. “The government is not the solution, usually the government is the problem,” said Rubin.
“The idea behind a big platform is that somehow everybody should be on there, and everybody should be able to say what we want, except we know that these big tech platforms treat different content and different people differently. Why not hand that power down to the creator: so if you want to build a community where it is a free-for-all then so be it; but if you want to have a community which is much more guarded and moderated, then you can have that.”
“These are gated communities that interact with other gated communities, to start creating real, mature conversation which is what’s been lost of Facebook, Twitter, and Youtube.”
Rubin also emphasized the ability for creators to communicate with their audience: Big tech platforms have “created a situation where there are creators with millions of followers and you can’t even directly communicate with your people because the algorithm stops you from doing that. So, for example, I have over a million youtube subscribers, but my videos get out to very few of them. So we’re gonna ensure that there is no algorithm manipulation.”
Rubin has made clear that Locals.com will not sell data. As well as this, if a creator leaves the platform, they will be allowed to take the audience data they collected with them so that creators are in no way dependant on Locals.com. In other words, Rubin is “trying to think of the internet in a whole new way.”
Next week, Locals.com will begin to announce a batch of prominent creators who will be posting their content on the site.