CBC down billions after losing rights to Hockey Night in Canada
The CBC no longer has the rights to their highest rated program—Hockey Night in Canada. This is a big loss for CBC and will cost them over $2 billion throughout twelve years, according to Blacklock’s Reporter.
The information was provided through an internal federal memo. Though the company’s ad revenues have been falling, in a confidential report, CBC noted that it continues to be “the cornerstone of culture and democracy.”
CBC Kids News has published an article in favour of Canadian teens embarking on a hunger strike. The hunger strike was scheduled to start on Sunday; its purpose is to protest the now-cancelled Teck mine project in Alberta. The article details famous, historical hunger strikers, their achievements, and what happens to the body when it is denied food.
The fact that CBC decided to cover a hunger strike involving the participation of children is irresponsible to say the least. That this was promoted on their children’s news platform makes it even worse. Teens are already at higher risk than adults for eating disorders, which are typically about a person wanting to take control over their bodies when they feel they have no control over anything else. This hunger strike is in service to something teens absolutely have no control over, energy policy.
It’s absolutely unconscionable to advocate for children to starve themselves to get the government to change its energy policy. And it is absurd to expect the government to change its energy agenda based on this kind of advocacy. The teens are basically taking themselves hostage, holding their breath until they get their way.
Twitter users were quick to point out how irresponsible and dangerous this article is.
It’s been a few years now that people are so freaked out by climate change that they’re willing to sacrifice their children. But while pundits and armchair climate activists may advocate for the Greta Thunbergs of the world to give up their futures in service to environmental activism, parents are not so sure.
In fact, the article on CBC Kids News had to be amended to account for a parent’s concern. One of the students who intends to participate in the hunger strike was noted to have the support of his mom. However, after the article was published, his mother wrote to say that “she is extremely worried about her son going on a hunger strike and, ‘even more disappointed that young adults feel they need to engage in self harm to be heard by the media and government on this issue.’”
She’s right to be concerned. As a matter of fact, all Canadian parents should be concerned. CBC has crossed a line by promoting unhealthy behaviour directly to young people. They should be ashamed of themselves.
CBC has filed a claim with the Department of Industry to trademark the word “Oh” and “Radio-Canada Oh-dio” with the department’s intellectual property office.
Conservative Party leadership candidate Erin O’Toole recently called for the privatization of the publicly funded TV service.
CBC’s potential new “Oh” marketing campaign is reminiscent of the network’s earlier attempts to boost sales with previous trademarks such as“Fall for CBC” in 2014, “Canada’s Own” in 2011, and “Trusted, Connected, Canadian” in 2001.
In 2013 the public broadcaster sued a Montréal cable station for $50,000 over the trademark “Ici” (“here”) which they used for their French-language service according to Blacklock’s Reporter.
“Our public broadcaster is stuck in the past,” said O’Toole in a campaign video on February 14. “An O’Toole government will modernize and reform the CBC,” said O’Toole. “We will end funding for CBC digital and we will cut the CBC English TV budget by fifty percent. Our plan will phase out TV advertising with a goal to fully privatize CBC English TV by the end of our first mandate.”
The CBC receives $1.2 billion grant per year from the government, however, their English-language television ad revenues fell 37 percent last year.
O’Toole said he would keep CBC French-language services and the Crown broadcaster’s national radio network as it is.
In 2017 a Conservative bill to privatize the CBC as an entire corporation was brought forth but was defeated.
Former Conservative MP Brad Trost was a sponsor of the bill, “The Mulroney administration philosophically should have done it, just as the previous Harper administration philosophically should have been prepared to privatize the CBC,” said Trost, in an interview at the time. “Someone needed to take the first steps to get things going.”
“The late former finance minister Jim Flaherty actually broached this subject a few times in the past,” said Trost. “He spoke to me about how it was one of his wishes to privatize the CBC. Jim and I discussed it.”
Bill C-308 An Act To Provide For The Incorporation Of The CBC would have reorganized the network under the Canada Business Corporations Act with plans to have a final sale within the following three years. The bill was shot down in the Commons by a vote of 260 to 6.
The CBC has pulled its participation from an event featuring the convicted terrorist Omar Khadr at Dalhousie University in Halifax on Monday.
Nahlah Ayed, who hosts the CBC program Ideas, decided to opt out of the event, choosing to explore the subject “at another time in a different way.”
The event will also feature remarks from Dr. Shelly Whitman and author and Canadian hero Hon. Romeo Dallaire, who is well known for his work in Rwanda during the nation’s genocide.
Omar Khadr is a former child soldier who was involved in a firefight with US soldiers in 2002, leaving one US soldier dead. Khadr was wounded in the firefight and captured—being taken to Guantanamo Bay where he was held without charge.
In 2017, Justin Trudeau’s federal government awarded Khadr a $10.5 million settlement. Khadr went on to purchase a strip mall in Edmonton with some of the money.
Omar Khadr was invited to be a keynote speaker at an event at Dalhousie University that protests the use of child soldiers. The event is being hosted by Dalhousie University and the Romeo Dallaire Child Soldiers Initiative.
Khadr’s invitation to speak at Dalhousie was met with considerable online backlash.
As of right now, the event is scheduled to go on despite the backlash from the Canadian public.
Playwright Yolanda Bonnell is a two-spirit, Ojibwe/South Asian performer who has written a new play entitled Bug, which is now playing at the Theatre Passe Muraille in Toronto. The aim of her play is to take a stand against colonialism. Bonnell has requested that the media only allow Indigenous, black or other people of colour to review her play.
“I do a lot of work in terms of decolonizing theatre… and for me this was one of those steps — taking away the colonial lens,” said Bonnell in an interview with Tom Power for CBC’s Q radio.
“There is an aspect to cultural work—or in our case, artistic ceremony— which does not align with current colonial reviewing practices,” Bonnell said in her official statement. “In order to encourage a deeper discussion of the work, we are inviting critiques or thoughts from IBPOC folks only. There is a specific lens that white settlers view cultural work through and at this time, we’re just not interested in bolstering that view, but rather the thoughts and views of fellow marginalized voices, and in particular Indigenous women.”
“You could hear perhaps a white critic, more likely someone on the internet, but a white critic say something like, ‘You know, I may be white but I don’t see things through that lens, what would you say?’” the CBC host asked Bonnell during the interview.
Bonnell laughed at the question and responded, “You can’t help but see things through that lens. We all have lenses that we see the world through and it directly correlates to our life experience. Unless you’re an Indigenous woman you don’t know what it’s like to be an Indigenous woman. Unless your a two-spirit individual or a trans, or non-binary you don’t know what that experience is like. So if somebody is writing a story about that, the lens that you’re viewing it through, its directly going to affect how you view that story, or how you write about it. There are going to be aspects that you don’t understand.”
However, Bonnell doesn’t feel the same is true from the other way around.
“We, as people of colour, understand whiteness to its core because we’ve grown up with it, especially people who’ve grown up here in Canada. My friend, a wonderful Indigenous playwright from the west coast Kim Senklip Harvey says she has her ‘ Ph.D. in whiteness’ and I feel very much similar.”
Bonnell’s play Bug will be performed at the Theatre Passe Muraille in Toronto from now through Feb. 22.