British birth coach forced out of charity for saying only women give birth
No matter how many times women are hounded out of work, social groups, or organizations for saying that women are adult human females, I end up surprised each and every time. This latest shocker comes from the UK, where so much of this madness has fully taken hold. British birth coach Lynsey McCarthy Calvert was pushed out of the charity Doula UK, of which she was spokesperson, because she dared to say that “women birth all the people.”
The issue for McCarthy was that Cancer Research UK changed its advertising encouraging women to get routine pap smears, a basic gynecological exam, to advocating for the test for “everyone aged 25-64 with a cervix.”
Students can now get paid to snitch on their peers at the University of Sheffield. The students will earn £9.34/hour to be “race equality champions,” and their training for the work will include teaching them how to “lead healthy conversations” on racism, microaggressions, and how to deal with those peers who commit infractions. Hours range from two to nine hours per week, like any part-time work-study job. But Sheffield University’s foray into “snitch culture” sounds alarm bells.
Following a report from the Equality and Human Rights Commission that cautioned about the “common occurrence” of racism for some students on campus, the University decided to combat the problem by weaponizing other students. Twenty, lucky kids will get this job, and it’s probable that plenty more would have done it for free, as have their authoritarian forebears.
This new job, such as it is, is rightfully being hailed as completely authoritarian and crazy. Anyone who has studied 20th-century history knows that the worst dictators and totalitarians of that era counted on citizens to report on one another, under threat of punishment if they did not.
Citizens in the Soviet Union, Germany, China, Spain, and other nations with brutal, paranoid leaders impressed upon their citizens how important it was that they rat out their friends, family, and co-workers.
Now that trend has some to the ultimate allied nation, the U.K. The students who take these jobs will undoubtedly think they are doing the right thing in carrying out their duties. But in trying to overcome racism, they are dividing them further.
Part of the job description is for students to call out their peers for microaggressions.
If a fellow student says to another “Stop making everything a race issue,” that’s considered a microaggression and is a reason for reporting under this new plan. If a student says “Why are you searching for things to be offended about?” That’s considered “not okay,” and that peer must be punished. The question “Where are you really from?” is apparently out of bounds, and other geographical infractions like “I don’t want to hear about your holiday to South Africa. It’s nowhere near where I’m from” is a reason to call out a kid for being racist.
Students complained about the microaggression of “Being compared to black celebrities that I look nothing like,” which would be pretty annoying for the kid who got that wrong, but is it a reason to be reported?
The University of Sheffield claims that they are just “opening up a conversation” by paying students “to help their peers understand racism and its impact.” In 2018, the University suffered some racially motivated incidents, with racial slurs found written on a whiteboard, and slurs yelled at games.
Of course, there’s no place for racism on campuses, but the way to root it out is through education and conversation, not monetized McCarthyism. Call-out culture, snitch culture, and the reframing of the conversation around how to control our thoughts does not alleviate racism; it buries it where it can fester.
Fighting racism is a positive project, but it’s not done through dividing us, through pitting peers against each other, but through a culture of egalitarianism and equality. Knowing that we are different is not as important as recognizing all the ways in which we are the same.
Progressives affected by Trump Derangement Syndrome will say that Vince Vaughn’s career died several years ago, which prompts me to wonder why his appearance last night with President Trump is making such a stir. Clearly, Vaughn’s still relevant, and no amount of fraternizing with the Don is going to change that.
The actor, best known for his roles in Wedding Crashers, Swingers, and Dodgeball, is facing a round of outrage after video of him meeting with President Trump emerged last night on social media in a post by former Deadspin writer Timothy Burke.
“I’m very sorry to have to share this video with you. All of it, every part of it,” wrote Burke, seemingly gleeful at the thought of cancelling the actor.
Vaughn’s crime, apparently, was to speak to and shake hands with the President. How dare he? The outrage he now faces is similar to the anger Ellen DeGeneres sparked after she was spotted mingling with former President George W. Bush at a football game last year. Does anyone even remember when that happened? Clearly not, because the outrage brigade moved past her—just as they’ll move past Vaughn—well within a week before moving on to some other target.
When that happened, DeGeneres acknowledged the outrage mob (even though she didn’t need to) and shared what remains perhaps some of the wisest words to come out of this election cycle: “We’re all different. And I think that we’ve forgotten that that’s OK that we’re all different.”
Nevertheless, all eyes are on Vaughn now, and multiple outlets have published articles to cover the outrage—many of which are chiding the actor for audaciously treating the President of the United States of America with dignity instead of yelling in his face as many of these people wish to, if they could get within 50 feet of him.
Never one to fall in line with the rest of the Hollywood flock, Vaughn has been out and open about his divergent political beliefs. From as far back as 2012, Vaughn, among several other celebrities—including Snoop Dogg—openly endorsed libertarian and Republican congressman Ron Paul. Unlike Snoop Dogg, whose politics have in recent years move farther towards the left, Vaughn has remained a staunch and steadfast libertarian, even doing an interview with the Ron Paul Institute late last year. Vaughn is also a good friend of Rand Paul, having introduced him at a libertarian event in 2011.
It’s impossible to say who Vaughn voted for in 2016 given that he still keeps some things about himself private—not that it matters—but it probably wasn’t Hillary.
For all the talk of “cancellation” and unpersoning of Vaughn among cultural and entertainment commentators on mainstream publications, his career in Hollywood hasn’t taken much of a dent as he continues to build film credits as both an actor and a producer with seven new projects in the works.
Unlike DeGeneres, Vaughn is unlikely to respond to the outrage brigade. These people don’t watch his movies anyway, and those who’ve already had him on their personal blacklists decided he was a verboten subject given his continued friendship with Mel Gibson, who’s persona non grata to liberal keyboard warriors on social media.
Naturally, some leftist commentators have been quick to downplay the burgeoning outrage against Vince Vaughn. Posting on Twitter, Vox reporter Aaron Rupar wrote: “Democrats aren’t mad about Vince Vaughn chatting with Trump. Nobody cares. Fox & Friends and Hogan Gidley are making stuff up.”
If that were truly the case, one might wonder why so many media outlets are eager to write about his oh-so-unacceptable interaction with President Trump. Is it all just a bunch of fake news, then? Or does the liberal media just make things up as they go along? After all, they can’t issue stern condemnations of Vince Vaughn well after every conservative commentator predicted it—at least, not without looking like the easily manipulated schmucks that they are.
The result of the constant barrage of trans ideology and inclusion is that the media talks about periods way more than they used to. Once the purview of women’s medical journals and whispers, the state of modern menstruation has taken up lots of pixel space, but only in the context of trans men’s experience with it. The new claim is that periods are more painful for female-bodied trans men than they are for female-bodied female persons because, in addition to the physical discomfort, they experience mental anguish as well.
A new report by NBC News speaks to the conundrum of women who believe they are men but are still saddled with women’s reproductive systems. In addition to not wanting to deal with menstruation, trans men find it troubling to use tampons and pads in men’s public bathrooms. There’s concern about the sound of the packaging, where to wash hands, and where to dispose of the used materials. While an easy solution would be to use the women’s bathroom, this, too would be a problem for trans men who would be viewed as men, not women. No matter where they use the washroom, there are problems.
Kenny Ethan Jones, a transgender model and activist, found that having his period after his transition was remarkably difficult, and wanted to speak out to help others who experience the same problem. He told NBC “I didn’t believe that having periods would be a part of my lived experience. I felt isolated; everything about periods was tailored to girls, yet me, a boy, was experiencing this and nothing in the world documented that.”
It’s interesting how much more dialogue there is about periods now that people who present as men are having them. Period products are changing to be more accommodating to people who don’t like pink, and products are being made available in more locations. What’s missed in all this inclusivity is that there are loads of women who loathe the pink buttercup infantile quality of women’s menstrual products. But companies never asked or cared to find this out, so women had no choice but to buy the overly girly products for a condition that feels anything but feminine.
Jones notes that trans and gender non conforming people can feel alienated by the menstrual products currently available on drug store shelves. And while this is undoubtedly true, it’s also true for most women. No woman likes buying menstrual products. Walking up to the register and proclaiming that you are now or will soon be bleeding feels humiliating. The same is true for use of public washrooms. No one wants to be heard ripping the plastic off a tampon or caught red-handed at the sink. It’s embarrassing all around, not just for women who have beards. But it’s only since women with facial hair and six-packs started talking about it that anyone is the least bit concerned about how uncomfortable this is.
With an interest in normalizing menstruation for trans men, Jones helmed an advertising campaign in 2018 for Pink Parcel, a subscription service for period products. In doing so, he said that “During my transition I did have to deal with experiencing periods each month and many of the negative stereotypes that can come along with it. Assuming periods are inhibiting to people tends to perpetuate period shame even more, and makes people even more reluctant to talk about them.” Jones had attended an all-girls school, came out as trans at 14, started socially transitioning at 16 by shaving his head and changing his name, and began hormone treatment at 17.
His outspoken words on periods and their discomfort, however, apply equally to trans men and to women, because despite the rhetoric saying that periods are so much worse for those who present as men and don’t want them, periods are literally just as awful for everybody who has them, because no one actually wants to experience them. The division between trans men and women with regard to period pain, body dysphoria, and the difficulty in dealing with the logistics of it is entirely arbitrary. All this language does is isolate women into a category where it’s assumed that they like all the weird things that happen to their bodies, simply because they know they are things that are supposed to happen to healthy bodies.
Women and trans men are not different when it comes to experiencing menstruation, and all this division does is box women in cutesy pink packaging of acceptance. Separating trans men who bleed from women who bleed reinforces gender stereotypes, and while trans men may feel lifted by new period products with trucks and rifles on them instead of bows and duckies, this does nothing but further ghettoize women who accept the inevitability of their femaleness.
A miracle is happening. 2020 might go down as the year that woke culture died. Numerous celebrities emerged in the final inning of 2019 to fly the flag of common sense. Ricky Gervais, Dave Chappelle, Louis CK, Sarah Silverman, and JK Rowling found support among the masses, and now we can add the great novelist Stephen King to that list.
Explaining his Oscar-nomination votes, King tweeted: “As a writer, I am allowed to nominate in just 3 categories: Best Picture, Best Adapted Screenplay, and Best Original Screenplay. For me, the diversity issue—as it applies to individual actors and directors, anyway—did not come up. That said, I would never consider diversity in matters of art. Only quality. It seems to me that to do otherwise would be wrong.”
A powerful figure like Stephen King expressing this universal truth about art and artists is a game-changer. King’s statement is in direct contrast to comedian Issa Rae, who quipped “congratulations to those men,” after announcing the all-male noms in the best director category.
Art matters more than the artists: it places beauty over identity. We ended up in this mess because identity politics has been grafted over everything we do. We began to regress as a culture when we rejected the notion of separating the art from the artist. We lost our way when we placed platitudes above originality and competence. We came to believe that it doesn’t matter if a song, painting, or film is great, but whether the work of art was produced by a non-binary, latinx, disabled activist.
The idea was that diversity itself was its own reward, overshadowing objective considerations like merit, technical skill, or quality. In order to elevate diversity over other considerations, objectivity was relabeled as prejudiced in and of itself. Through the perpetuation of the concept of unconscious bias, there was no way a person could make an objective judgement about a piece of art without first questioning whether their view was inherently racist, ableist, homophobic, misogynistic, or bias.
This left us afraid of our own judgements, not only to express them, but to make them at all. Replies to King’s comment called his view “white supremacist,” because that’s where we have landed: a white man’s objective view is considered racist if he chooses the work of white men over women’s work, or the work of other races and ethnicities. The assumption is that, whether intentionally or not, he’s racist.
We started rewarding artists for what they are instead of what they do, and artists responded by creating boring work about identity instead of work truly from their heart. That’s how we ended up with so much truly mediocre content and artists who place more value in their identity and diversity virtue than truth, beauty, and honesty. There is no magic answer that will a) eliminate all prejudice and b) ensure that the objective best always comes out on top. We have to be open-minded when making judgements, consider multiple perspectives, and make a decision given all the factors.
A tragic irony of identity politics is how it has led to instant dehumanization and erasure of those who are perceived to be the wrong kind of people. Yesterday, actor Vince Vaughn suffered a potentially major blow to his career simply because he was spotted talking to the American president. That’s all. We have no idea what he said. Just a Twitter clip of a smile, some banter and a handshake, and his career is in jeopardy. Maybe the wokesters would have preferred if Vaughn was rude, or punched him or something.
Perhaps King has taken note of how the woke world treats people like shit while claiming to be empathetic and forward-thinking, or has noticed that great art and decent people have been consistently smeared as “hateful” or “white supremacist” in the name of progress.
The recent fake controversy over the movie Joker exemplifies this. For months, media fretted over the film’s perceived message of “white supremacy,” worried that movie theatres across the nation would be shot up by crazed incels. It didn’t happen, and Joker leads all movies with Oscar eleven nominations– unless all Oscar voters are white supremacists.
Ricky Gervais was threatened with being banned from hosting The Golden Globes, after being deemed hateful and transphobic for Twitter comments. The Globes didn’t cave, valuing ratings over woke points, and the result was perhaps the most hilarious hosting gig of all time. This is what happens when you don’t capitulate. You win. Everyone wins.
Stephen King’s vital endorsement of art for art’s sake will make waves and change minds. Like Gervais and JK Rowling, he’s too big to fail. We should be grateful that he spoke up, and let it give others courage to speak their mind, too. Woke culture has a stranglehold on our media, culture, and corporations, but as the revenues plummet, the boring work goes unrewarded, and the public begins to wake from wokeness, things are beginning to change. Woke culture is losing. Let’s finish it off.