National Observer swings and misses with attempted hit piece on The Post Millennial
The National Observer was founded by a woman who faked a Pulitzer Prize nomination on the cover of her vanity press book in 2010. The National Observer also regularly runs the work of a woman who carries water for a street-roaming gang of journalist-assaulting thugs.
UPDATE: On December 6th, a Twitter user reported to The Post Millennial that two of Michaels’ tweets had violated the Twitter Terms of Service. Michaels then locked his account.
The Post Millennial reached out to Twitter to verify if disciplinary action had been taken against Michaels since his harassment of Andy Ngo was reported on, but did not hear back by the time of publication.
The Post Millennial has learned that a Twitter account that has been engaged in targeted harassment of TPM Editor-at-large Andy Ngo appears to belong to none other than a Twitter employee.
Max Michaels, who goes under the Twitter handle Manchild, is an Operations Infrastructure Analytics Engineer at the Twitter Command Center. According to his Linkedin, he has worked at Twitter for over 7 years.
Michaels’ abusive behaviour towards Ngo began in June of 2019 after Ngo was bloodied while reporting from an Antifa riot in Portland. Beneath a tweet calling for information which might lead to the arrest of those involved, Michaels wrote: “It’s almost like there are repercussions for being a piece of shit.”
Under another tweet by Ngo, Michaels replies “you should just get fat again and hangout on reddit acting sad. I liked fat, sad Andy better.”
Michaels also replied to journalist Peter Hasson, who was reporting on Ngo’s brain bleed as a result of his beating at the riot, calling the hemorrhage a “lifelong, pre-existing condition from garbage Andy.”
Michaels was featured in a 2016 Vice article describing the important functions of the Command Center. In the piece, Michaels is quoted as saying he and his team are responsible for “keeping the lights on at Twitter.”
A recent job posting for the Twitter Command Center suggests staff have a great deal of insight and control over the intricate details of Twitter’s technical infrastructure, calling into question what impact potential biases in the staff might have over users’ personal information and security on the platform.
Ngo was recently suspended from Twitter for tweeting a truthful claim that “The U.S. is one of the safest countries for trans people. The murder rate of trans victims is actually lower than that for cis population. Also, who is behind the murders? Mostly black men.” Ngo was forced to delete the verifiably truthful claim in order to regain access to his account.
The Post Millennial reached out to Michaels for comment but has not heard back by the time of publication. He did, however, confirm on Twitter that he still works in Operations for Twitter.
Targeted harassment is explicitly against Twitter’s Terms of Service. A Twitter spokesperson said, “Abuse and harassment have no place on Twitter. We take enforcement action against any content that is violative of our rules, regardless of the account involved.”
Prominent YouTuber Dave Rubin has introduced a new platform called Locals.com which intends to give “power” back to the creators, rather than to organizations like YouTube and Patreon who have often been criticized for being censorious and manipulative.
Speaking to The Post Millennial, Rubin described Locals.com as a “subscription-based community network for creators … I fully believe that the future of the internet is bottom-up instead of top-down.”
Rubin went on to say that content creators are “frustrated by these giant tech platforms and the way they manipulate the algorithm, the way they shadowban, the way they de-platform, and what I realized was that for me as an independent content creator, I needed to make sure that all my digital assets, my videos, my audios, the way I can communicate with fans, is protected”
Rubin wanted to build Locals.com so that content creators had the power to “put up ad-free videos, ad-free audio podcasts, so you can communicate directly with your fans. Ultimately, we will build web-communities, and also apps for independent creators.”
There will also be a social element to Locals.com. Creators, for instance, will now be able to communicate with other like-minded creators on the backend of the site—creating their own networks. “The future is about creators, not these big tech platforms,” Rubin stated.
Locals.com will allow creators to set their own rules within their community—meaning that there won’t be a universal term of service. “You will set your rules about what type of people you want, and what speech is allowed. We will empower creators to actually own their content.”
Rubin also has a solution to the bots and trolls that content creators often have to deal with on the larger tech platforms, as these people won’t pay to access the content.
On top of this, creators won’t be beholden to tech companies or the government. “The government is not the solution, usually the government is the problem,” said Rubin.
“The idea behind a big platform is that somehow everybody should be on there, and everybody should be able to say what we want, except we know that these big tech platforms treat different content and different people differently. Why not hand that power down to the creator: so if you want to build a community where it is a free-for-all then so be it; but if you want to have a community which is much more guarded and moderated, then you can have that.”
“These are gated communities that interact with other gated communities, to start creating real, mature conversation which is what’s been lost of Facebook, Twitter, and Youtube.”
Rubin also emphasized the ability for creators to communicate with their audience: Big tech platforms have “created a situation where there are creators with millions of followers and you can’t even directly communicate with your people because the algorithm stops you from doing that. So, for example, I have over a million youtube subscribers, but my videos get out to very few of them. So we’re gonna ensure that there is no algorithm manipulation.”
Rubin has made clear that Locals.com will not sell data. As well as this, if a creator leaves the platform, they will be allowed to take the audience data they collected with them so that creators are in no way dependant on Locals.com. In other words, Rubin is “trying to think of the internet in a whole new way.”
Next week, Locals.com will begin to announce a batch of prominent creators who will be posting their content on the site.
Daniel Koren is the director of Hasbara Fellowships Canada, an organization that empowers student leaders to fight against anti-Israel and antisemitic discrimination on campus.
In an opinion piece titled “Free Speech, but not for Palestine” published in the Toronto Sun on Nov. 28, two anti-Israel activists (one of whom is known for his anti-Israel activism at York University) suggest there is nothing wrong with calling for an intifada on campus.
As the director of Hasbara Fellowships Canada, which empowers student leaders to fight against anti-Israel and antisemitic discrimination on campus, I strongly disagree.
In their op-ed, Hammam Farah, a York alumnus and founder of the university’s Students Against Israeli Apartheid (SAIA) club, and Mona Dennaoui, a former member of SAIA, suggest they were bullied by members of the Jewish Defence League (JDL) and other Jewish counter-protestors at the now infamous York rally on Nov. 20.
This, despite the fact that, according to most accounts, Jewish protestors were outnumbered by anti-Israel demonstrators by at least six to one.
Astonishingly, referring to members of the JDL (known for their hawkish position on the Arab-Israeli conflict) as “snowflakes” isn’t the most ludicrous comment in Farrah and Dennaoui’s op-ed.
No, what’s most absurd is that they suggest there is no free speech for Palestine at a campus known for its hostility towards Jews and pro-Israel students, a campus notorious for a vulgar and violent mural that Jews have for years demanded be removed, a campus where even uttering the words “Israel” or “Zionism” can result in harassment and discrimination.
Farrah and Dennaoui are right about at least one thing, though: the importance of freedom of speech on Canadian college and university campuses. What they fail to articulate is that chanting “Viva, viva intifada!” is not free speech. In my view, it’s hate speech.
But please, don’t take my word for it.
Take the word of Adele Banita-Bennett, whose 22-year-old husband Aharon was stabbed to death in the name of intifada as Adele, their two-year-old daughter, and infant baby watched in horror.
Or, to illustrate why the Palestinian Roots mural promotes violence against Jews, take the word of Yosefa or Maya Levlovich, who were in the car with their father Alexander when Palestinians hurled rocks at their car, forcing it to crash. Alexander, now known as the first victim of the “Stabbing Intifada” of 2015-16, died in hospital the next day.
Or take the word of any of the relatives of the victims of the October, 2015 Jerusalem bus attack, where three Israelis were killed and 16 others were wounded in the name of intifada.
I can go on and on. This is the real face of intifada, and not just to the Jewish- and Arab-Israelis who have been mercilessly attacked in cold blood, but to anyone who has been paying attention.
When a small number of Jews are subject to chants of “Viva, Viva Intifada!” from a much larger group, that’s not just some innocuous saying to us. It’s a call for a violent uprising of knife stabbings, car rammings, and suicide attacks, not “peaceful resistance,” as many anti-Israel activists have suggested. It’s a horrific promotion of murder and genocide.
Palestinians, like all people, deserve the right to protest and freedom of speech. Palestinians, like all people, should not be held collectively responsible when their leaders promote bloodshed by calling for an intifada.
But to imply that this term can mean anything else but violence and murder is to assume it is subject to interpretation when it is not. These examples are indisputable facts concerning hundreds of innocent Israelis, Jewish and Muslim alike, murdered in the name of intifada.
It is the height of hypocrisy that Hammam Farah, who has personally attempted to silence oh so many Jewish- and Israeli-Canadians, claims to be interested in preserving freedom of speech. If he were, then that freedom would have to be awarded to all people, even those he disagrees with.
Following the rally at York, some of the IDF soldiers who spoke said it was unfortunate not a single anti-Israel protestor would give them the chance to start a dialogue that could lead to interfaith building. Instead, they were just trying to shut them down. As the founder of SAIA York, who organized the rally, this is Hammam Farah’s legacy.
Sadly, if anyone is guilty of denying freedom of speech and expression, it is the anti-Israel activists at York, U of T, McGill and other campuses around the world where Jews are being told what they can and cannot do or say. Or am I just being a snowflake?
A popular parody account has been suspended from Twitter following outrage by one of the largest media outlets in the world. The man behind Shaniqua O’Tool, an account that had over 15,000 followers at the time of suspension, says The Guardian forced Twitter to censor comedy.
He spoke to The Post Millennial to reveal details on the campaign waged by The Guardian against his satirical tweets. While his identity is known to The Post Millennial, it is being withheld for reasons of privacy.
Starting as a Godfrey Elfwick-styled account, the account owner says the Shaniqua O’Tool character was meant to “poke fun at both the far-left and the far-right.” He says the name was inspired by the 2003 single “Shaniqua don’t live here no more” by Little T and One Track Mike.
The account’s owner points out the existence of a Twitter account dedicated to compiling the Guardian’s most meme-able headlines, including one where Guardian columnist Abi Wilkinson suggests the “tears of joy emoji” mocks human suffering.
“Some of [The Guardian’s] headlines bordered on insanity, so I felt it was worthy of satire.” He says. In 2017, he began posting edited Guardian headlines with Shaniqua’s face photoshopped in as the columnist.
Some of Shaniqua’s antics were so indiscernible from authentic Guardian headlines that they attracted the attention of outraged media outlets. Gateway Pundit wrote an article decrying Shaniqua as an “ISIS sympathizer” for her headline on police needing to learn the importance of spotting a “fake suicide vest” before shooting. The Gateway Pundit article, which claimed to have read the non-existent Shaniqua column, was quickly deleted.
“I mocked [Gateway Pundit] for it,” the account owner says, “and when my headlines caught conservative commentator Katie Hopkins off guard, I mocked her for it too.” He says, asserting that his satire was bipartisan. However, he notes that there was a difference in how people of different political orientations handled being the target of his comedy.
“It is a consistent and recurring pattern over the last few years that if you poke fun at conservative or right-leaning people, they tend to just go with the joke or ignore you. If you poke fun at left-wing people, my experience is very different. They report you, verbally attack you, mobilize their followers to report and block, and ensure your name is added as a ‘Nazi’ to block lists.”
On November 29th, 2019, the account received a copyright strike notice from Twitter. The claim was apparently filed by Guardian editor Tom Stevens, who wrote that Shaniqua’s infringement was “pretending to be a Guardian writer. The tweets are fake and offensive.”
The claims were made through Twitter’s copyright system, which is intended to protect the rightful owners of intellectual property. Prior to completing a claim within this system, a complainant must acknowledge that they considered “Fair Use” laws, and accept responsibility for damages in the event they misrepresented fair use material as infringement.
Fair Use is a provision which states that copyrighted work can be utilized if the use is sufficiently transformative. According to the University of Minnesota, transformative content uses original work in a “completely new or unexpected way,” and lists parody as being the clearest example of “transformative content.”
In the case of Shaniqua, the account was not utilizing anything more than the template of Guardian headlines. The headlines themselves, lede, and photo were original.
In 2017, Buzzfeed called Twitter’s copyright system “hair-trigger,” and stated that “a copyright violation from a major media company is the surest way to lose access to one’s account.”
The Guardian filed two subsequent copyright claims on December 2nd, and the account was suspended the same day. In the claim, Guardian editor Tom Stevens writes “Becoming a serious problem now. Please take appropriate action.”
After the news of the Guardian‘s apparent campaign against Shaniqua surfaced, Twitter users began posting their own parodies of Guardian headlines using the hashtag #trollingtheguardian
Prior to getting suspended, the man behind Shaniqua attempted to open dialogue with Guardian media editor Jim Waterson, but his direct messages were not returned.
“He never replied, presumably, because he knew my days on Twitter were numbered.”
While appeals on copyright strikes are possible, the account owner says he was discouraged from doing so as it would mean providing consent for Twitter to share his personal information with The Guardian. Fearing harassment or a lawsuit, he did not appeal.
“It’s clear they don’t like being mocked,” he says, “I was followed en mass by Guardian journalists [the day of my suspension]. Being followed suddenly like that was deeply unnerving. It felt like they were letting me know they were watching me.”
The account owner has filed an appeal with Twitter over the account’s suspension but has not heard back as of publication.
The Post Millennial reached out to The Guardian but has not heard back by the time of publication.